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Picturing the Future | Support the Griffin Museum's Futures Fund

We invite you to a special evening of creativity, community, and support for photography and the Griffin Museum.

This year, our museum faces unprecedented challenges, and we need your support more than ever. Arts institutions worldwide are facing a critical financial crisis, and we are not immune. Your generous contribution is crucial to our survival, and it will allow us to continue to explore and showcase the ever-changing world of photography for years to come.

We have set a goal of raising $25,000 to support our exhibitions, education, programs and operations.

© Ashleigh

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Portraits of Solidarity: Photographing Community and Resilience

The Griffin Museum of Photography presents Portraits of Solidarity: Photographing Community and Resilience, an online panel bringing together Yorgos Efthymiadis, Susie Coehlo, Zahra Warsame, and Will Lee.

This panel will explore photography's capacity to build connection and solidarity through shared experience. Efthymiadis will reflect on his project, The First Ones In Line, and the relationships that shaped access to its participants, while Coehlo, Warsame, and Lee, will speak to their work as organizers and the stakes of representation within labor movements.

Together, the panelists

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Preparing for the Portfolio Reviews with Crista Dix (Online)

Twenty minutes to introduce yourself and your work passes quickly, so it's essential to put your best foot forward. This two-session workshop is designed to support your strategy for success. Whether you are preparing for FotoFest, New England Portfolio Reviews, or the SDN Online Documentary Portfolio Reviews, this weekend workshop is designed to help ease the pressure of the review process. Whether you are a seasoned participant or attending your first review, this information-packed workshop -- covering the value of research, conversational practice, and confident preparation -- will help

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Publishers-In-Residence: Alexa Becker (Online)

The Griffin Museum of Photography is pleased to welcome Alexa Becker for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.

Our Publishers-in-Residence program offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and each costs $80 for members and $95 for non-members.All of these professionals are

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Publishers-In-Residence: Alexa Dilworth (Online)

The Griffin Museum of Photography is pleased to welcome Alexa Dilworth for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.

Our Publishers-in-Residence program offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and each costs $80 for members and $95 for non-members.All of these professionals are

Online
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Publishers-In-Residence: Alyssa Ortega Coppelman (Online)

The Griffin Museum of Photography is pleased to welcome Alyssa Ortega Coppelman for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.

Our Publishers-in-Residence program offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and each costs $80 for members and $95 for non-members.All of these

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Publishers-In-Residence: J. Sybylla Smith (Online)

The Griffin Museum of Photography is pleased to welcome J. Sybylla Smith for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.

Our Publishers-in-Residence program offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and each costs $80 for members and $95 for non-members.All of these professionals

Online
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Publishers-In-Residence: Karen Davis (Online)

The Griffin Museum of Photography is pleased to welcome Karen Davis for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.

Our Publishers-in-Residence program offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and each costs $80 for members and $95 for non-members.All of these professionals are

Online
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Publishers-In-Residence: Maarten Schilt (Online)

The Griffin Museum of Photography is pleased to welcome Maarten Schilt for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.Mr. Schilt will be offering six one-on-one sessions scheduled from 10:00 am to 1:00 pm Eastern Time (ET).

This event offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and

Newsletter feature
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Reconsidering the Journey with Aline Smithson (Online)

This two session course will address the shifting sands of the photographic journey that have made us reconsider traditional paths to success. The photography world has undergone significant transformations since the onset of the global pandemic in 2020. The impact was not limited to the artists alone; it permeated through all facets of the industry, challenging conventional norms and prompting a reassessment of traditional paths to success. It has become critical to consider new ways of working, promoting, and thinking about how to move our work forward. Most importantly, artists need to

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