Event-Preregistered

Administrative term for events that are for registered attendees only (such as ongoing classes) and so should not be listed as "ongoing events".

Platinum/Palladium Printing with Jill Enfield (In-Person)

During this in person workshop you will learn how to make one of the most beautiful and expensive processes, platinum and pallaidum prints, which was brought into the public eye by the Pictorialist photographers. Platinum prints can range from a cool gray-black while Palladium prints usually range from warm black to very warm brown. Many people mix the two metals to cut the cost and change the tonal range to personal taste. This is a contact print process and you will need negatives the size you would like your final image to be. You will need to either bring negatives or materials for

Pre(Occupied) Landscapes with Alexey Yurenev | In-person in NYC

Pre(Occupied) Landscapes aims to challenge conventional representations of the landscape in photography. Rather than treating landscapes as passive backdrops, this workshop explores them as active, layered sites where natural systems, social histories, and political forces intersect. Through lectures, discussions, a guided field exercise, and peer critiques, participants will engage with the landscape not just as a visual subject, but as a living archive of occupation, transformation, and resistance.

Learning Objectives

By the end of this workshop, participants will:

-- Understand

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Preparing for the Portfolio Reviews with Crista Dix (Online)

Twenty minutes to introduce yourself and your work passes quickly, so it's essential to put your best foot forward. This two-session workshop is designed to support your strategy for success. Whether you are preparing for FotoFest, New England Portfolio Reviews, or the SDN Online Documentary Portfolio Reviews, this weekend workshop is designed to help ease the pressure of the review process. Whether you are a seasoned participant or attending your first review, this information-packed workshop -- covering the value of research, conversational practice, and confident preparation -- will help

Online
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Publishers-In-Residence: Alexa Becker (Online)

The Griffin Museum of Photography is pleased to welcome Alexa Becker for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.

Our Publishers-in-Residence program offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and each costs $80 for members and $95 for non-members.All of these professionals are

Online
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Publishers-In-Residence: Alexa Dilworth (Online)

The Griffin Museum of Photography is pleased to welcome Alexa Dilworth for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.

Our Publishers-in-Residence program offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and each costs $80 for members and $95 for non-members.All of these professionals are

Online
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Publishers-In-Residence: Alyssa Ortega Coppelman (Online)

The Griffin Museum of Photography is pleased to welcome Alyssa Ortega Coppelman for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.

Our Publishers-in-Residence program offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and each costs $80 for members and $95 for non-members.All of these

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Publishers-In-Residence: J. Sybylla Smith (Online)

The Griffin Museum of Photography is pleased to welcome J. Sybylla Smith for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.

Our Publishers-in-Residence program offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and each costs $80 for members and $95 for non-members.All of these professionals

Online
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Publishers-In-Residence: Karen Davis (Online)

The Griffin Museum of Photography is pleased to welcome Karen Davis for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.

Our Publishers-in-Residence program offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and each costs $80 for members and $95 for non-members.All of these professionals are

Online
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Publishers-In-Residence: Maarten Schilt (Online)

The Griffin Museum of Photography is pleased to welcome Maarten Schilt for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.Mr. Schilt will be offering six one-on-one sessions scheduled from 10:00 am to 1:00 pm Eastern Time (ET).

This event offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and

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Reconsidering the Journey with Aline Smithson (Online)

This two session course will address the shifting sands of the photographic journey that have made us reconsider traditional paths to success. The photography world has undergone significant transformations since the onset of the global pandemic in 2020. The impact was not limited to the artists alone; it permeated through all facets of the industry, challenging conventional norms and prompting a reassessment of traditional paths to success. It has become critical to consider new ways of working, promoting, and thinking about how to move our work forward. Most importantly, artists need to

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